The first known mention of domra is in Admonitions of Metropolitan Daniel (1530). This musical instument gained great popularity in the 16th–17th centuries, replacing gusli. There are numerous mentions of domra in historic documents of this period. In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures are clearly captioned “depiction of domras”.
The construction of the ribbed back on the domra invovles bending the strips of wood over a hot press and gluing them in place around a solid bowl-shaped mold. After glue has set, the back is sanded on the outside and then removed from the mold, to be finished on the inside. To get the correct shape for the top(or soundboard) of the instrument, the back is placed open side down on a thin sheet of spruce or other suitable tonewood and used as a template.